Guess Who Katie Was for Halloween!

My dog Katie is a very intelligent wired-haired Pointer mix (I suspect there's some border collie in her as well). She isn't a frilly, girly type of dog. Can't abide anyone fooling around with her hairy mess of a mouth, so I normally just leave her be.

But....

when I twirled her moustache, she sorta reminded me of a famous avante garde artiste, so I played with her hair a bit more and coaxed her into doing some expressive poses for me.....

all the while trying to convince her that she would be the only dog on the block with a REALLY ARTISTIC Halloween costume this year:


So......can you tell who she's supposed to be?!?!?

YES!!!....It's none other than SALVADOR DOGGI!!!

HAPPY HALLOWEEN!

Hope your Friday is filled with happy tricks and treats!!

Indian Summer

I don't know what the weather is like in your neck of the woods, but here in Healdsburg, Indian Summer has definitely arrived. The days are bright and sunny, the air has the tangy snap that reminds me of apple cider, and the light thru the trees is as golden as poured honey.

A few years ago, I designed the above quilt pattern, INDIAN SUMMER. It's been a very popular pattern with stitchers. I can't decide if it's because of the colors -- or the intricate pattern. Probably both. Anyway, it's one of the designs I never get tired of looking at. [And I must confess, I just love those "wild geese" triangles; they've always been my favorite quilt patterns... And since this design combines those triangles with the ever-popular "lone star" how can any stitcher or quilter resisit it?!?]

Anyway, it occurred to me that it would be fun to design a companion piece to it, using the same variegated thread (Watercolours' "Rainforest"). Here's what that new piece looks like so far:


You can see how I stitch up these models: first, I work all the variegated and solid pearl colors; after the colors are balanced to my satisfaction, I switch my focus to the background colors. [Really, it's just like creating a fabric quilt: first, you focus on creating the pieced quilt top; then, you decide which quilting pattern you will put on top of your quilt -- thus these stitched quilts have the same multi-dimensional effect as a real quilt... except with stitching, we have the added pleasure of the changing light on the directional sheen of pearl cotton threads.] You can see in the lower areas that I've started stitching the intersecting diamond shapes in a darker gold floss. I'll work all the darker gold areas next; then everything that's left will be filled with the final light gold floss color.

I create all my quilt designs that way: focusing on each type of thread at a time. I guess I prefer counting out all the main parts of the quilt first; then when I get to stitching the background areas, I don't have to do that much counting -- it's basically just filling in the blank spots. That makes it easy to stitch while watching tv or stitching in a group when you can talk and stitch at the same time!

Oh, yeah....I'm calling this design: INDIAN AUTUMN. And as you can see, I'm on the home stretch...just have to finish the background and then I'll be ready to write up the instructions for this pattern.

Another Border Idea...

While I'm thinking about different ways to finish a piece with borders, I want to show you this one:


This is from a large piece called "SPIRIT OF THE SOUTHWEST" by Susan Portra. (I didn't scan the whole piece; just a section of it). I stitched it many years ago, using my favorite Southwestern adobe and turquoise colors.

What I want to show you is the way I finished the border on this piece. The instructions show the angled ECRU borders as the finished edge of the piece. If you've ever seen this piece stitched up and framed (and absolutely GORGEOUS, of course), it usually has a custom-cut mat that has all the triangular sections cut, so that the mat fits snug against the angled outside edges.

Well, I didn't want to mat the piece that way...so I came up with another way to finish the piece so it would fit within a plain square-cut mat. I decided to TENT STITCH inside each triangle shape with a medium-dark color (so the background would recede a bit) and then add a simple string motif (or jessica, if you prefer) that echoes the various jessica elements in the overall design. Here's a closeup of those sections:


I think the extra tent stitching was worth it. I created a background against which the Southwest design could stand out. And I still finished off the piece in an unusual way, without having to have expensive double or triple mats cut.

I share this idea with you, just in case you might have an unusual geometric design that you want to finish in a different manner. When in doubt, consider STITCHING your borders or backgrounds, to show off the rest of your work!

Feeling A Little Batty?

It's that time of year when stitchers start to get a little batty... or even a little witchy... Yup. It's that wonderfully purple and orange time of year: HALLOWEEN!

Time for all us stitchers to look thru our stashes and pull out our fun Halloween canvases.... or grab those purple, orange and lime green threads and start to work on a fun and/or spooky stitching project!

In keeping with the spirit of the season, I've posted a free little Halloween project on my website: www.ljperindesigns.com under the FREE PATTERNS page. It's my CATS & BATS freebie. Check it out!


Here's the story about this little bat: A few years ago, when I was going to local quilt and craft shows, I would design a little freebie handout for the shoppers passing by my booth. I made this little bat design into a pin that I could wear (I turned it on point, and added a pin back). It was a very fun and easy project. Other stitchers even stitched just the outer border, and then added a fun fimo, porcelain, or wood button in the center - a very cool way to show off a special Halloween button!

I stitched this 3" x 3" design on lavender 18 ct. canvas, but any color would work. And while I used #5 pearl cottons, you could also use 3-4 ply of floss if you prefer.

Anyway, I thought I'd share the pattern with you (there's also a black cat that you can stitch in the center, if you prefer cats to bats)....so you too can whip up a new little project just in time for Halloween!

Mystery Border Revealed!

Have you heard about the Shining Needle Society? Have you joined yet? A stitching friend told me to check it out and after I saw all the luscious designs they were offering, I joined too. It's a society of stitchers (it's free to join) that enjoy talking about their stitching obsession. And best of all, they offer special cyber classes by wonderful designers who will certainly inspire you to great creative heights!

One of those designers is Gay Ann Rogers. I got a look at her recent cyber class, MYSTERY IN A CORNER, and was totally smitten. I had to stitch this project and was as excited as anybody to see where this project was going. The really fun part was deciding on the colors of your project. Everyone was encouraged to try their own combinations - in fact, that was one of the primary missions of the project. There was plenty of discussion (and I'm sure a lot of angst) about what colors to choose...

But I was in one of my springtime green-and-purple moods, and chose to work the MYSTERY in this color combination:


This is the completed project. Isn't it a stunning geometric design? And Gay Ann even gave us stitchers several stitch options so that we could mix and match our own side elements and motifs.... The idea being that we could create our own unique design in the process.

Well, after I finished stitching this MYSTERY, I left it on its stretcher bars and hung it on my office wall, where I've been staring at it for many weeks. To my border-obsessed eye, I realized I REALLY, REALLY wanted to put a border around this design, but wasn't sure what KIND of border it should have. I spent a lot of time staring at this piece, trying to visualize what kind of border it should have.

And here's what I finally came up with:


Instead of having triple mats cut in unusual (and extremely expensive) shapes, I decided to stitch my mat lines (remember those simple Dutch pieces I showed you earlier?) - similar to quilting lines - and by so doing, echo the rather Art Deco (or maybe opulent Edwardian) look of this piece. Using radiating lines around any geometric design is a good trick to remember, if you want to finish it off in an unusual way.

The thin radiating lines are done with a fine metallic thread. The green border is really just parts of the main design that I enjoyed stitching and thought I would repeat along the outside. I've never done a telescoping border (where it varies width) so that was a fun learning experience for me.

Does this border go to far? Is it too ornate? Maybe... Maybe not. I just wasn't happy putting a simple border on a visually complex piece such as this, so I opted to try a much more intricate border. But, ultimately, my border-obsessed eye is now satisfied. My version of the MYSTERY IN A CORNER is finished. I'm happy. (And that means I can start something new! Woo Hoo!)

Crossing the Border Line

Here are a few more border ideas that I wanted to share with you.

First, I want to show you one of my favorite designs by Diane Evans of Something Different, called "A Third Diane's Delight 2".....


I LOVE this design! (I love all of Diane's designs; they are all different and totally unique, but this one really "sang" to me and so I had to stitch it up.)

I met Diane at several of the CATS Festivals and we had a great time chatting about stitching. I asked her how she came up with these gorgeous designs and she told me that she gets bored doing repetitive stitching, so she just starts stitching and then changes the elements as she works. And VOILA! Something very different is created.

After I stitched up this design, I left it on the stretcher bars and stared at it for a long time. To me, something was missing. And being the border-obsessed stitcher that I am, I finally realized what would make ME happy was a BORDER around this piece. I agonized about what type of border would work on such an asymetrical design, and then finally decided to try something different.... I added this one:


While the central piece was stitched with Waterlilies silk, and had a simple variegated border line, I decided to CROSS THE BORDER and stitch the same internal patterns on the outside, but I used the thicker #5 Watercolours. And look what an unusual border it makes!

By adding a darker, heavier border that echoed the internal colors and patterns, I was able to "corral" the original design with a border that - I think - only reinforces the beauty of the central design. And also notice what happens when you add a darker border to the pale central area. Doesn't it create a wonderful sense of depth?

Just think of how you might use this technique on other counted canvas designs...or better yet, pull out some of your painted canvases and see how you can add this technique around the border of a canvas. Try extending your internal colors and patterns over a simple border line - darkening and thickening (or perhaps even lightening) the colors of the original design.

P.S.: I made an unintentional mistake on my last post. I referred to a stitching magazine called ARIADNE and said it was Danish. So Sorry! It was a Dutch magazine and published in The Netherlands. Thank you, Blog Reader, for correcting my boo-boo. (If you ever come across old issues of that magazine, look thru them. They are truly fabulous!)