Showing posts with label metallics. Show all posts
Showing posts with label metallics. Show all posts

Monday, February 6, 2012

Mini Mystery Monday #5, part 2

Time for the next installment of our #5 Mini Mystery! It's a pretty darn easy step this week... plus being pretty as well. We're going to add some metallic this Monday, so get your brightest, sparkliest metallic ribbon in your needle, then study this graph:


You're going to add a layer of Rhodes Stars (large ones and smaller ones), plus a few long straight stitches that connect the stars to each other. Work all these new stitches amongst the variegated stitches you've already worked. Here's an up-close stitch diagram of the metallic stars you'll need to add:


And TA DA -- that's all for this week. It's a short one, I know, but adding a little bit of sparkle is always exciting no matter what size the project, don't you think?

We'll add another layer of "soft" metallic stitches next week (the more glitz the better, right?).... plus I'll share an additional/optional "upgrade" layer with you, so you'll have another way to stitch this project up if you choose to. See you then!

Monday, August 4, 2008

Blackwork Mystery, part 3

I've posted the third and final part of my BLACKWORK MYSTERY SAMPLER on my website.

Here's what my finished model looks like:


I'm so very disappointed that you can't see the really bright, shiny metallic I used for the third "layer" of this design. If you look back at my threads photo, you can see the spool of shiny turquoise Kreinik blending filament that I used. Those are the tiny turquoise glints you get on this piece, when you finish adding your metallic work.

I particularly like using Kreinik's blending filament as a metallic accent in blackwork because it gives a really subtle but great ZINGY accent. It gives off these little zaps of sharp metallic lights throughout the piece, which is a surprise and delight to the eye.....Really! You'll just have to stitch with it yourself, to see what I mean....

Also, you'll see that the finished design has lots of "wagonwheel" elements in the overall piece. I've done many blackwork designs where I've stitched the wagonwheels in Kreinik blending filament and WOW, the effect is very elegant and eye-catching! You might like to try that option some time, too.

I'd like to point out at this time - after you've stitched parts 1 and 2 - that you have lots of options to fill in the remaining empty spaces. I've chosen the "wagonwheel" elements, but can you see how you can change the look of the patterns by adding other elements? Can you visualize how it might look if you put DIAMOND SHAPES or FLORAL SHAPES inside the circles, instead of the wagonwheels? And you can always put cross stitches, upright crosses or smyrnas just about anywhere. I've inserted a few cross stitches and upright crosses to show you how easy it is you add these simple elements in your blackwork patterns.

That's one of the fun things about doing blackwork: it's so geometric, you get to add or subtract the various elements you like into the pattern, thus creating new and different patterns every time you stitch. It's a good way to dabble in designing.... and a very fun way to play with colors, pattern density (how light/open or dark/filled you make your pattern) and pattern design.

And...for you bead lovers, there are lots of places to sprinkle some beads, if you so desire. On the final graph, you'll see some suggested places to put beads. Follow my lead, or feel free to bead it up to your own satisfaction!

Anyway, I hope you've enjoying stitching this little project with me!

(P.S: In my typical designer-eye style, as I was stitching this one I was leap-frogging ahead to more ideas for other projects...SO STAY TUNED FOR MORE FUN FUTURE PROJECTS!!!)

Tuesday, February 27, 2007

My Jewel Box


My eleven-year-old niece was helping me put price tags on a bunch of my patterns, for a craft show I was attending that following weekend. When she got to the pattern with this picture on it, she asked," Why is this one called JEWEL BOX? It doesn't look like a jewelry box to me...."

So I had to explain to her the play on words for this pattern: there are boxes within boxes within boxes, and all the sparkling sections look like jewels. Unfortunately, the photo doesn't do this design justice. You just can't see all the sparkle, hidden in all the little boxes, or used to outline the different size squares. There are even some large #8 beads sprinkled thruout the piece, but they're hard to see in this photo....

Interestingly enough, when I was at the San Mateo Sew & Quilt Show last weekend, one of my favorite stitchers, Ellie (who was working in her booth down the row) came by my booth with her finished, framed version of JEWEL BOX. She had stitched it in blues, teals and golds, and it was beautifully framed in a brushed teal/blue frame. It is so much fun for me to see someone else's version of this design! I really encourage stitchers to make their own color choices and enjoy the creative process of mixing and matching threads for their own unique project.

And I really like this design. So much so that I've started stitching another colorway (see photo below). It uses a variegated pearl cotton that I dyed myself; something that has pale pinks - almost peachy - with soft spring greens, and a touch of pale lilac. I've got this design mounted on a Grip-It scroll frame that's easy for me to carry to shows, where I can sit and stitch during the slow times. I'm in no hurry to finish this project... I've got plenty of other projects that MUST BE DONE AS SOON AS POSSIBLE, but when I go to a show, I take something that is easy to work, and doesn't require too much concentration.

Although.....I'm thinking I'd like to turn this pink Jewel Box design into a panel that goes on the outside of a tote bag. One of my stitching friends, Chris, came to the craft show with a stunning tote bag custom-made by the finisher "Marlene's" in San Francisco. (Marlene is known for her fabulous needlepoint finishing, and each of her finished projects is absolutely fantastic. Check out her website.)
Anyway, Chris' large tote bag was made out of quilted velour fabric and it had a square canvaswork design inserted on the side of the bag. It was REALLY, REALLY GORGEOUS!
And of course, I thought, "Oh my gosh! What a great way to display stitchery!" I mean, after a while it becomes a challenge figuring out what you're going to do with another finished piece of needlework. I have a really small house and no more wall space for stitchery. (Yes, I already rotate my designs seasonally or when I get tired of looking at them...) And I certainly have more than enough pillows (don't we all?).......

But TOTE BAGS! One can never have enough tote bags, don't you agree?!?!?
...so here's my future tote bag panel under way......